Annals of the New York Academy of Sciences
Music and learning-induced cortical plasticity
Avanzini G., Faienza C., Minciacchi D., Lopez L. & Majno M.
Neurosciences and Music
New York, NY
Auditory stimuli are encoded by frequency-tuned neurons in the auditory cortex. There are a number of tonotopic maps, indicating that there are multiple representations, as in a mosaic. However, the cortical organization is not fixed due to the brain's capacity to adapt to current requirements of the environment. Several experiments on cerebral cortical organization in musicians demonstrate an astonishing plasticity. We used the MEG technique in a number of studies to investigate the changes that occur in the human auditory cortex when a skill is acquired, such as when learning to play a musical instrument. We found enlarged cortical representation of tones of the musical scale as compared to pure tones in skilled musicians. Enlargement was correlated with the age at which musicians began to practice. We also investigated cortical representations for notes of different timbre (violin and trumpet) and found that they are enhanced in violinists and trumpeters, preferentially for the timbre of the instrument on which the musician was trained. In recent studies we extended these findings in three ways. First, we show that we can use MEG to measure the effects of relatively short-term laboratory training involving learning to perceive virtual instead of spectral pitch and that the switch to perceiving virtual pitch is manifested in the gamma band frequency. Second, we show that there is cross-modal plasticity in that when the lips of trumpet players are stimulated (trumpet players assess their auditory performance by monitoring the position and pressure of their lips touching the mouthpiece of their instrument) at the same time as a trumpet tone, activation in the somatosensory cortex is increased more than it is during the sum of the separate lip and trumpet tone stimulation. Third, we show that musicians' automatic encoding and discrimination of pitch contour and interval information in melodies are specifically enhanced compared to those in nonmusicians in that musicians show larger functional mismatch negativity (MMNm) responses to occasional changes in melodic contour or interval, but that the two groups show similar MMNm responses to changes in the frequency of a pure tone.
Pantev C., Ross B., Fujioka T., Trainor L.J., Schulte M. & Schulz M.
Conference Information: Conference on Neurosciences and Music: Mutual Internactions and Implications on Developmental Functions VENICE, ITALY, OCT 25-27, 2002 Fondazione Pierfranco Luisa Mariani; Int Sch Neurol Sci; Venice Int Univ; New York Acad Sci; European Soc Cognit Sci Music Author Keywords: music; cortical plasticity; MEG; functional mismatch negativity; (MMNm) KeyWords Plus: SUPERIOR COLLICULUS; OUTPUT NEURONS; RECOGNITION; REPRESENTATION; CONTOUR Publisher: NEW YORK ACAD SCIENCES, 2 EAST 63RD ST, NEW YORK, NY 10021 USA Subject Category: Multidisciplinary Sciences IDS Number: BY31P ISSN: 0077-8923 ISBN: 1-57331-452-8 DOI: 10.1196/annals.1284.054